There's something really great about being an artist and experiencing a time where you can work without influence. I am experiencing that pleasure right now and exploring what it is I would like to focus on to amount a body of work that is unrelated to my last 7.5 years of pained life. My artworks of the last years have been quite erratic subject wise. Certainly nothing like the bodies of work (pre [...]
Working amongst Tassie's vast and beautiful scenery and flexing our hours, even more, is providing the sublime state we were searching for. Even Zephyr has cranked up his Zen!
What is The Drawing Wall? An excuse to get up off our seats, Takes us away from our screens, Keeps us in touch with drawing and the pencil, A way to remain inspired in our studio, A creative project, A great way to use our blank studio wall, Keeps us thinking, Provides a great working environment, Lots of fun. Building The Drawing Wall You're welcome to watch our progress here on our [...]
(Article from Desktop Magazine's feature article: Creative Practice and Pain Management)Written by Soula MantalvanosOrigin of Image is a multidisciplinary design studio based in Collingwood that is managed by professional and personal partners, Soula and Theo Mantalvanos. Soula has a rare condition called ‘Pudendal Neuralgia’ which on some days can be completely debilitating. Here she shares some insights into her daily routine, and offers some advice for practitioners dealing with similar predicaments. My experience with pain management [...]
I love information, observing, gathering ideas, discovering nice aesthetic things and I’m also obsessed with how things work. I am the account director, the people’s person. I do all the telling and listening and am the communication conduit between client and designer, and designer and production and that’s the way I like it. It works. I’m in control, I know all the goings on of our business and this is the way I [...]
Ever grateful to our CEO for providing the endless entertainment and energy in the studio Photos by Marija Ivkovic.
